Matthew Arnold Matthew Arnold

Fact, Fiction, or Fake…

Fan Ho & Bresson…

I wonder how often what we’re looking at isn’t what we think we’re looking at…

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Matthew Arnold Matthew Arnold

Bringing the war home, war of the worlds and goldfish.

The creations of my childish mind wandering. But nonetheless a good exploration of montage work in my local area and a fresh change from the normal pretty pictures of sunsets and images of the “pub on the beach at sunset” that are produced in the thousands on a daily basis throughout the summer!

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Matthew Arnold Matthew Arnold

Hopper, Crewdson, and Fullerton-Batten a technical dive

I have long been an admirer of this style and it’s something I would like to bring to my work going forward. So, I thought I would dive in to what’s going on in the production of these images to help me make a step closer to this style.

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Matthew Arnold Matthew Arnold

Japanese enlightenment. Struggling as an older person in education and stuff I don’t understand…

I am definitely on a personal journey here and as I move through it some of my ideas and preconceptions have changed and been challenged. Some of the dogmas have been eroded and I find myself exploring methods and approaches that I would never have contemplated before. Suddenly nothing is off limits. When I first started in photography, I was very much of the opinion you photograph what is in front of you, and that’s what you present to the world, nothing more nothing less…

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Matthew Arnold Matthew Arnold

What’s nostalgic? Triggers and Memories….

So, what is nostalgic? What do people think of when you ask them? What’s nostalgic to you? I have been wondering this over and over. So I decided to ask! 

I put out a question on social media and hoped people would respond with their views of what makes them nostalgic.

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Matthew Arnold Matthew Arnold

The Anti-Social Photo…

The more I take pictures the less I take pictures! That is to say, I don’t feel I need to always be taking pictures and indeed most of my work is now planned and considered and much less spontaneous. As I develop, I am less and less concerned with those shots I missed; but I must say, even when sitting quietly, if I am particularly struck with something, I will break the silence and pick up my camera.

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